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Chapter One
Early Memories
Mother and I stand on the weathered and warped back steps looking
up at my father, who sits, tall and handsome in work clothes, astride
a chestnut horse. To one side lie the orchard and a path leading
under the horse chestnut tree, past a black walnut and a peach-plum
tree, to the privy. On the other side are the woodshed, the icehouse,
and the cornfield, and beyond, a field of wheat. The horse obstructs
my vision of the path to the barnyard, the pump house with its creaking
windmill, the chicken coop, smokehouse, machine shed, and the big
red barn, but I know they are there.
Mother holds a tin box that once contained George Washington tobacco
and now holds my father's lunch. She hands it to him, and as he
leans down to take it, she says, "I'll be so glad when this
war is over and we can have some decent bread again."
My father rides off in the sunshine to oversee the Old Place, land
once owned by one of my great-grandfathers. I wave, sad to see my
father leave, if only for a day.
The morning is chilly. Mother and I wear sweaters as I follow her
around the big old house. Suddenly bells begin to ring, the bells
of Yamhill's three churches and the fire bell. Mother seizes my
hand and begins to run, out of the house, down the steps, across
the muddy barnyard toward the barn where my father is working. My
short legs cannot keep up. I trip, stumble, and fall, tearing holes
in the knees of my long brown cotton stockings, skinning my knees.
"You must never, never forget this day as long as you live,"
Mother tells me as Father comes running out of the barn to meet
us.
Years later, I asked Mother what was so important about that day
when all the bells in Yamhill rang, the day I was never to forget.
She looked at me in astonishment and said, "Why, that was the
end of the First World War." I was two years old at the time.
Thanksgiving. Relatives are coming to dinner. The oak pedestal
table is stretched to its limit and covered with a silence cloth
and white damask. The sight of that smooth, faintly patterned cloth
fills me with longing. I find a bottle of blue ink, pour it out
at one end of the table, and dip my hands into it. Pat-a-pat, pat-a-pat,
all around the table I go, inking handprints on that smooth white
cloth. I do not recall what happened when aunts, uncles, and cousins
arrived. All I recall is my satisfaction in marking with ink on
that white surface.
Winter. Rain beats endlessly against the south window of the kitchen.
I am dressing beside the wood stove, the warmest place in the house.
Father is eating oatmeal; Mother is frying bacon. When I am dressed,
Father sends me to the sitting room to fetch something. I run through
the cold dining room to the sitting room. What I see excites me
and makes me indignant. Proud to be the bearer of astonishing news,
I run back. "Daddy! There's a tree in the sitting room!"
I expect my father to spring from his chair, alarmed, and rush
to the sitting room. Instead, my parents laugh. They explain about
Christmas trees and decorations.
Oh. Is that all? A Christmas tree is interesting, but I am disappointed.
A tree slipping into the house at night had appealed to me. I want
my father to charge into the sitting room to save us all from the
intruder.
Memories of life in Yamhill, Oregon, were beginning to cling to
my mind like burs to my long cotton stockings. The three of us,
Lloyd, Mable, and Beverly Bunn, lived-or "rattled around,"
as Mother put it-in the two-story house with a green mansard roof
set on eighty acres of rolling farmland in the Willamette Valley.
To the west, beyond the barn, we could see forest and the Coast
Range. To the east, at the other end of a boardwalk, lay the main
street, Maple, of Yamhill.
The big old house, once the home of my grandfather, John Marion
Bunn, was the first fine house in Yamhill, with the second bathtub
in Yamhill County. Mother said the house had thirteen rooms. I count
eleven, but Mother sometimes exaggerated. Or perhaps she counted
the bathroom, which was precisely what the word indicates--a room
off the kitchen for taking a bath. Possibly she counted the pantry
or an odd little room under the cupola. Some of these rooms were
empty, others sparsely furnished. The house also had three porches
and two balconies, one for sleeping under the stars on summer nights
until the sky clouded over and rain fell.
The roof was tin. Raindrops, at first sounding...
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